Little Wild Horse Canyon

For the majority of our honeymoon Jessica and I explored the canyonlands of southern Utah for a couple of weeks. We had beautiful weather for the majority of the trip and did 16 hikes that added up to a total distance of 64 miles. We wanted to stay away from the large crowds that often plague national parks of the southwest, so we focused primarily on exploring and hiking within Grand Staircase-Escalante National Monument. This monument is administerednot by the NPS (National Park Service)but by the BLM (Bureau of Land Management). The monument consists mostly of dirt backroads leading to trailheads with trails that have little to no maintenance but lead to some incredible canyons. Most, but not all, of our hikes were within this monument.



Our first canyon hike was in Little Wild Horse Canyon, not far from Goblin Valley State Park. We left our motel in Green River early in the morning hoping to be the first ones at the trailhead. Our plan worked as we were the only vehicle in sight when we arrived at the start of the trail. The trail was beautiful right from the beginning as it headed up the wash. Before long we were in the canyon, but it was quite wide at that point. Not long after hiking up and around a dry fall, we were in the canyon narrows. This is where it got really interesting. The canyon had several nice sections of narrows and in the narrowest section we had to turn sideways in order to make it through. Eventually we came to a few boulders wedged in the canyon that put a stop to our forward progress. At this point we turned around and returned to the trailhead via the same route we came in on. It was a wonderful start to our canyon adventure!

Lessons Learned

Larwill, Indiana combined 3rd and 4th grades, 1936-37 class. Mom is the 4 child from the left in the top row, she was in the 3rd grade. Two of her classmates are still good friends and they attended the birthday open house for mom's 80th birthday last Saturday.

Larwill, Indiana was (and still is) a small rural community about six miles west of Columbia City. Mom's family had moved there in 1935 and she attended the Larwill School for the rest of her school years. Classes for all grades, 1st through 12th, were held in one building, which was only a few blocks from their home.

Of course, mom learned reading, writing and arithmetic in school, along with history, home economics and social studies, but she was an "average" student, and according to her she didn't excel in anything, except making friends! Mom was the middle of five children and since their home wasn't far from school, it was the natural gathering place for all of their friends.

Along with the book learning, she learned how to do housework and help take care of her younger sister and brother. Life lessons learned through firsthand experience that served her well when she had children of her own after graduating in 1946.

When the time came for her to go to work outside the home, she was more than ready! Her first paying job was working in a factory, Playtime Products, in Warsaw, where they made toy baby buggies. Then my grandmother opened a restaurant in North Webster and mom went to work there. Her social skills came in quite handy while working with the customers and the other employees. In 1964, the restaurant was sold and mom got a job in another factory, North Webster Products. They made electrical wiring harnesses for refrigerators, freezers and other appliances. It wasn't easy work, but she was good at it. The company went through many changes over the years, but mom made it through all the lay-offs and downsizings and retired in 1993 after 29 years of service.

One of the most important lessons I learned from mom and the secret to her success, she says, was flexibility and a willingness to learn. Whenever she was asked if she had ever done a certain task, which she hadn't ever done before, instead of just saying "no" she always said "no, but I can give it a try" and invariably she would do just fine, not always, but most of the time. Many of her co-workers were women and many of them refused to even try a new task but she was always willing. She wasn't a perfectionist, but she always did the best that she could. Another lesson learned.

This post was written for the 48th Carnival of Genealogy whose topic is "Mom, how'd you get so smart?"

Yeah Baby! Transportational Elegance Reigns at Interbike

As I was setting off for Las Vegas, those who'd been to Interbike before warned me that 90% of what I'd see there would be completely irrelevant: that the road, mountain bike and BMX industries would rule the floor, with city bikes and classic bicycles making up a tiny fraction of the offerings. So what surprised me the most about my first Interbike, was that this was far from the case. The upright, step-through city bike was downright ubiquitous: From exclusive European makers such as Cicli Montante (above) to mainstream giants such as Trek (see my post about their "Dutch bike" here), it seemed that anyone who is anyone had one on offer.



I start with the Italian Cicli Montante, because it's companies like theirs that really set the pace. Montante city bicycles are unapologetically opulent, bombastically over the top - and I think it's good for the industry to have a manufacturer who is willing to exhibit such showmanship and attention to detail.



Old school touches such as newspaper racks, satchel-style panniers and leather-shod rod brake levers are victoriously exhibited with little concern for weight reduction.



Every component is pantographed with the company name; everything is covered in leather and dripping with colour. It's too much for me, but I am glad companies like Montante exist and I hope they find a North American distributor.

But if you are looking for a more accessible burst of colour, you will be pleased to hear that Bobbin Bicycles are coming to the North American market. Distributed by Fourth Floor in Canada, they should soon be available at bike shops.



Bobbin are offering a full line of classic city bicycles and accessories in a multitude of colours and for what look like fantastic prices (sub-$1,000 on all the models, as far as I could tell).



Here is their Birdie model in sky blue and yellow.



And here is a more sombre model in black, with full chaincase and dressguards.



Bobbin also introduced a number of pannier prototypes, including this leather satchel. I think the satchel is stunning, but I am wary of the snap-closure attachment system.



Here is a handsome canvas and leather one as well. I've spoken with the Bobbin representatives and may get to test ride one of their bicycles - fingers crossed.



It is also official now that standard production Bella Ciao bicycles (i.e. not just the Superba) will be available for sale in North America - distributed by BoxCycles/ the Nordic Bike Project.



Here is the men's model suspended from the ceiling. I can also tentatively announce that there may be a new line of Superba bicycles (ladies' and men's!) in and I hope to have details on that shortly.



Pilen had their classic Lyx models on display,



as well as a beautiful raw finish prototype with a SRAM automatic 2-speed hub. I have mentioned before that I think Pilenframes are unusually well finished for their price category, and the unpainted model really shows this off. I am picturing a swan-frame version with cream tires and feeling a little light-headed.



Pashley did not disappoint with their multiple booth display that was like a cozy clubhouse. I found myself falling in love with them all over again, returning repeatedly to take more photos and speak with the reps.



What appeals to me about Pashley is not only the beauty of their products, but their genuine commitment to making their bicycles on a small scale, in England, by the same people who've worked for them for years - despite external pressure to produce more volume. Though I ended up selling my Princess a year ago (see my review here), I wish that Pashley would do some research on how to tweak its geometry or tubing so as to make it a bit faster and more responsive - perhaps a loop frame version of the Guv'nor (come on, wouldn't a Reynolds 531 loop frame be awesome)? I truly want to support them as a business and to ride one of their bikes, as the Co-Habitant still happily does (see his review here).



In addition to having their range of loop-frame models on display, Pashley introduced the Parabike. My understanding is that this model is similar (or identical to?) the Tube Rider, but with a vintage military colour scheme of dusty slate blues and sage greens. I had not known the history of this frame style before, and it was explained to me that the bicycles used to be disassembleable, and British paratroopers would jump out of airplanes with the bikes strapped to them - then assemble them on the ground and ride away. Clearly Pashley needs to make at least a promotional prototype of a version that actually disassembles and film someone jumping out of a parachute and using it in this manner!



On board with the elegant transportation trend, Velo Orange had more than half of their display models set up with upright handlebars, which I thought was interesting. Does this reflect the preference of their customers?



The new green Polyvalent looked stunning and very inviting with its chaincase, Porteur handlebars and sizable front rack.



Happy to see the Sturmey-Archer 3-speed trigger shifter - not only on this bicycle, but on many others at Interbike.



Finally, the new colour they chose is a very pleasant shade of green, with a touch of soft gray mixed into it. Lovely all around. I am hoping VO will re-release their mixte in with a similar set-up and a softer colour scheme than their previous model.



One thing VO did I thought was interesting, was put small handlebar bags on upright bikes. I sometimes get emails asking whether I think this would look good and my instinct is usually "no," but this set-up is quite nice. I think the harmonious paring is largely due to the shape of the handlebars here, so that's one factor to consider. Another view of this set-up here.



The trend for colour was prominent among all city bicycles on display, and this pair of Gazelles illustrates nicely the two categories the colours seemed to fall into: vibrant "candy" shade, such as yellows and pinks, and subdued "vintage" shades, such as slate blues, creams, and sage greens.



Though I've focused on what I found to be the more interesting and trend-setting offerings, I cannot stress enough how popular the city bike was. There were so many, and from such a large number of manufacturers, that featuring them all would have been akin to posting a laundry list.



They came in all shapes and sizes, with the common design themes being a step-through frame and upright handlebars. Here is one from Benotto - an entire range actually.



The new city bike from Terry - the women-specific roadbike manufacturer.



And here is what looks like an Electra-imitation from Shanghai Forever.



A Pedersen-esque contraption from Virtue Bikes.



A couple of readers asked me to stop by the Linus booth and determine to what extent their mixte is lugged, so here are my findings. The front end is completely lugged (including the split lug for the mixte stays!), but is paired with a unicrown fork. And the seatcluster is welded.



Somewhat to my surprise, e-bikes were a huge trend at Interbike - I mean huge. I did not photograph many only because they do not interest me, but there must have been over a dozen manufacturers selling some version of an electric assist bicycle. This one is a Zoomi Monterey.



And here is an Achiever PedElec tricycle with enormous wicker baskets that make it resemble a laundy-getter. I spoke with a couple of the e-bike representatives, and each mentioned their belief that e-bikes need to look more classic and not so "techy" in order for the demographic they are trying to reach (read: women) to find them appealing. I agree.



Though this post is ridiculously long as it is, I can hardly neglect to mention folders. As with e-bikes, there was a huge folder epidemic - including electric folders. However, I am sorry to say that most of them were not easy on the eyes or simple to operate at all, and I will leave it to other blogs to post photos of them. Of course, the ever-practical and attractive Brompton was there, the rep tirelessly folding and unfolding it for awed spectators.



And Moulton wowed everyone with the limited edition stainless steel F-frame bicycle. As I understand it, this was actually made as a gift for a long-time Moulton employee upon his retirement, which is pretty amazing.



There were also miniature non-folding bicycles, such as the Bobbin Shopper - reminiscent of the Raleigh Twenty, outfitted with a rack and basket, and reasonably priced. The more folders and miniature bikes I try, the more convinced I am that they are a great solution for those who make relatively short trips and share bikes in the family, as well as for still-growing children and teenagers. Problem is, that not every manufacturer makes these bicycles equipped (or even compatible with) racks, which essentially kills their versatility. I am glad to see more models that do take this factor into consideration.



One aspect of the transportational bicycle trend that I noted was lacking at Interbike, were "box style" cargo cycles. There was the Christiania and I think the Gazelle Cabby, but I am pretty sure that was it. The Yuba, the Surly Big Dummy, and other long-tails were on display, but not the large, Dutch and Scandinavian bakfietsen and long-johns. It may be simply a matter of the design being difficult to replicate and "Americanise" by manufacturers, or perhaps it's just too much of a specialty item for Interbike at this stage.



So where does all of this leave us? The variety of designs and price points in the "city bicycle" genre, as well as the sheer number of models, are an encouraging sign, to say the least. But do you think this is a sign that we - and by "we" I mean those who have been stressing the need for user-friendly city bicycles that can be ridden while wearing regular clothing - have arrived? Is the industry showing its commitment to catering to transportation cycling, or merely testing the waters? Your thoughts appreciated.

Bumble Bee

This bumble bee was sampling the flowers on my vitex bush.

Being in Nature

Walking into an outdoor clothing and gear retailer today, we invariably see an expanse of merchandise that is stylised to portray outdoor pursuits as highly technical activities. Fabrics of unnatural textures emitting an otherworldly sheen, colour schemes that don't exist in nature, motifs based on jarring geometric forms, aggressive logo placements - the overall feel is decidedly inorganic. And perhaps that is the key to why I find the aesthetics of today's outdoor industry so disturbing: How can clothing and gear designed for an intimate relationship with our natural surroundings be made in a way that is so at odds with them?



As a teenager in the 1990s I noticed that it disconcerted me to go hiking and see other hikers decked out in this high-tech gear. Watching them move through the landscape, they seemed to be invading nature, not striving to be a part of it. I found myself wondering how long those garments would take to decompose once discarded after a season or two, and what effect their decomposition would have on the beautiful scenery. It particularly disturbed me that outdoor enthusiasts did not seem to be aware of this contradiction. Carrying food and drinks in a myriad of plastic containers, they tramped through meadows and forests clad in aggressively styled garments made of artificial fabrics - an alien presence in their own world.



No doubt as a direct reaction to this I found myself drawn to natural fabrics and materials in everything from clothing, to furniture, to the everyday products I used, and also drawn to aesthetics that harmonised with my surroundings. And early on I felt that content and form went hand in hand here: When a particular aesthetic style becomes popular, it informs what is socially valued. And this has a huge overall impact on what kind of things get made and on how they get made. The aggressive, sporty, techie look has grown absolutely ubiquitous in outdoor gear - so much so that wool outdoor clothing manufacturers looking to become mainstream have taken to imitating the look of artificial fabrics in order to visually convince that their product is equally functional. The fact that what makes wool functional is its natural properties is laughably lost when this tactic is employed.



But recently the outdoor industry has experienced a small but noticeable backlash against the high-tech, and this includes the realm of bicycles and bicycle-related products. The growing public awareness of fringe brands such as Rivendell Bicycle Works and Archival Clothing have made both consumers and manufacturers rethink the aesthetics of an outdoor lifestyle. Some interpret this phenomenon as nostalgia-driven, and some see it as a form of consumer elitism. But I believe there is at least some element here of a rising collective desire for products that are more harmonious with our natural surroundings. Reverting to traditional looks, fabrics and manufacturing processes is simply the byproduct when things are made in this manner. The return of the steel bicycle with the waxed canvas bag is not so much about "re-enactment" as it is about rethinking ways of being in nature.

Wordless Wednesday :: Schooldaze ~ Eleventh Grade

Adventures with Twine

The most typical use of twine on a bicycle, is to secure the inner edges of handlebar tape. Normally, bar tape is secured with black electrical tape and left as is, but I find that this looks unfinished. With twine, the handlebars will look more appealing and the tape will be more securely attached.

I use cooking twine, which is softer to the touch than industrial twine. It is white in its untreated state and turns caramel-brown when amber shellac is applied.

After wrapping your bar tape and securing the inner edges with electrical tape, the twining can begin.

First apply a layer of clear double-sided tape over the electrical tape.

Cut a half-armlength of twine.

Apply the twine over the double-sided tape by simply wrapping it around the handlebar and placing it down neatly onto the sticky surface of the tape. There should be no gaps and no overlap.

When the surface of the double-sided tape is covered with twine, cut the remainder off. There is no need to secure the twine, since it is stuck to the double-sided tape. This will provide a good temporary hold until shellac is applied.

Using a paintbrush or a sponge brush, cover the twined area with amber shellac following the same principles described here.

After three layers of shellac, the twine should feel completely solid and have a deep amber colour to it, at which point the project is finished. Your bar tape will be more secure than ever and will look great.

If you've finished twining your bars and still crave more, do not despair: There are lots of other places on a bicycle where twine can be used. I twined the chrome connector piece between the rack and the rear stays on my Pashley, because I was not satisfied with how the expanse of chrome stood out in an otherwise green and black colour-scheme. The dark amber twine softened that area up, and integrated it nicely with the wicker basket, brown leather saddle, and handlebar grips.

Here is a close-up of the twined rack connector. I thought that this was a failry subtle detail, but to my surprise, several people commented on it while examining my bicycle.

My most daring use of twine thus far, has been the twining of my Shimano Nexus shifter. My reasons for doing this were two-fold: I thought that the big rubber shifter was too modern for the aesthetic of the Pashley's handlebars, and I also found it unpleasant to the touch, especially in the sumemr heat. Covered with shellacked twine, the shifter blends in better and is more comfortable for me to use, as the twine provides a better grip than the rubber. There was some concern regarding whether the twine would adhere well to the rubber, but this was not an issue; just wrap it tightly prior to shellacking.

Of course, once you do this to your shifter, there is no going back: the shellac will disfigure the rubber if you ever decide to remove the twine and you will need to buy a new one. Twine at your own risk!

For more twining ideas, Rivendell has some nice pictures and instructions, as well as hemp twine for sale. Also have a look at this marvelous twined water-bottle pictured on The Epicurean Cyclist.